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・ Günter Altner
・ Günter Ambraß
・ Günter Amelung
・ Günter Anderl
・ Günter Asser
・ Günter Bartusch
・ Günter Baum
・ Günter Baumann
・ Günter Bechly
・ Günter Behnisch
・ Günter Beier
・ Günter Benkö
・ Günter Bentele
・ Günter Bergau
・ Günter Bernard
Günter Bialas
・ Günter Bischof
・ Günter Bittengel
・ Günter Blobel
・ Günter Brus
・ Günter Brümmer
・ Günter Burghardt
・ Günter Böckle
・ Günter Böttcher
・ Günter Corßen
・ Günter de Bruyn
・ Günter Deckert
・ Günter Deckert (nordic combined)
・ Günter Deuble
・ Günter Dreibrodt


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Günter Bialas : ウィキペディア英語版
Günter Bialas
Günter Bialas (19 July 1907 – 8 July 1995) was a German composer.
==Life==

Bialas was born in Bielschowitz (today Bielszowice, a subdivision of Ruda Śląska) in Prussian Silesia. The adolescent Bialas received lessons in piano and music theory from Fritz Lubrich, a former student of Max Reger, in Kattowitz (Katowice) between 1922 and 1925. After graduating from the German Minderheiten-Gymnasium in Kattowitz in 1926, he studied musicology, Germanistics, and history at the Friedrich-Wilhelms-Universität zu Breslau from 1927 to 1931. He then proceeded to study music at the Prussian Academy of the Arts in Berlin and subsequently taught at the Ursulines Girls' School in Breslau-Karlowitz from 1934 to 1937. He pursued further studies in composition with Max Trapp in Berlin. Through some of his Romanian friends, he made the acquaintance of Sergiu Celibidache and prepared for the entrance examination to the Berliner Musikhochschule.
In 1939, he became a lecturer in music theory and composition at the Institute for Music Education at Breslau University. After his German military service and Allied captivity from 1941 to 1945, he and his wife, the singer Gerda Specht, had to flee Silesia. They settled in Bavaria in 1946 and Bialas found work conducting the Munich Bach-Verein. From 1947 to 1959, he taught composition at the Nordwestdeutschen Musikakademie, now the Hochschule für Musik Detmold. He transferred to become a professor at the State Academy of Music in Munich in 1959, where he remained until his retirement in 1972.
For his compositions, Bialas was recognized with many prizes and honors, including the ''Großer Preis für Musik des Landes NRW'' (1954), the ''Münchner Musikpreis'' (1962), the ''Johann-Wenzel-Stamitz-Preis'' (1964), the ''Musikpreis der Bayerische Akademie der Schönen Künste'' (1967, elected to the Akademie in 1971), the ''Plöner Musikpreis'' (1988), and the ''Bayerischer Maximiliansorden für Wissenschaft und Kunst'' (1991).
After his death in 1995, a street in his adopted hometown of Glonn was named ''Bialas-Straße'' in his honor and marked with a sign bearing his biographical details.
Bialas is considered to have been one of the most influential composition instructors in postwar Germany. The legacy of his open, liberal, and undoctrinaire attitudes to teaching may be appreciated in the stylistic variety of those who were his students or mentorees, including Nicolaus A. Huber, Peter Michael Hamel, Wilfried Hiller, Heinz Winbeck, Ulrich Stranz, Michael Denhoff, Manfred Kluge, and Gerd Zacher.

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